
Following the 'successful' nuclear weapons test by North Korea, i accidentally found this quite 'witty' cartoon by Steve Bell.
Enjoy!
DIFFERENCES AND SIMILARITIES: MERELY COMPONENTS, FRACTIONS, AND COLORS FRAMING A FEATURE. THE SUITABILITY IS RELATIVE AND SOMETIMES SUBJECTIVE, SUBJECT TO CHOICES AND DECISIONS GROUNDED BY EACH ANGLE. IT IS YOURS TO SETTLE... PICK THE GLASSES AND CHOOSE YOUR LENS!


Having read the latest world news from different sources, my poignant mind were challenged to conclude a thought linking to an idea of a movie about a superhero. A seemingly imaginative idea that the world needs more than one superman. Why?
You probably live in a secluded different world if you don’t know Superman. Regarded as the most famous fictional character, Superman is the first comic book superhero. Superman is portrayed as a powerful human from another planet. Typically, as a superhero, he uses whatever power he possesses to help others and to fight against cruelties, mostly caused by his enemies. His most malicious enemy is Lex Luthor.From comic to radio serials, from television programs to films, the Superhero appears everywhere. The latest one is the ‘Superman Returns’ that was just released this summer.
Yet, Superman is not real. He doesn’t live in our world. But you know what? Having a Superman would probably be a bit helpful for the world. However, I won’t discuss much further about the superhero himself as I’m not really that knowledgeable about Superman. Yet, inspired by the last movie, I would like to examine about what happens in our world today by comparing it with the story of Superman. The world where we're living in have been undergoing too many cruelties and problems, regardless many existing great things that seems too few compared the bad ones. And, although being different with the ones in the Superman stories, I reckon that we need a kind of superman to deal with problems in the world.
Why is it? Perhaps, a review of the current world affairs is significant to show what's been going on. Hence we can see the link between the story of Superman and our world.
- "Venezuela's Foreign Minister Nicholas Maduro said on Thursday the United States distinguished between "good" and "bad" terrorists, depending on their political leanings. "(Reuters AlertNet, http://www.alertnet.org/thenews/newsdesk/N28310204.htm)
- "The Bush administration is concealing the level of violence against U.S. troops in Iraq and the situation there is growing worse despite White House and Pentagon claims of progress, journalist Bob Woodward said in advance of a new book." (Reuters AlertNet, http://www.alertnet.org/thenews/newsdesk/N28210876.htm).
- "Taliban attacks along Afghanistan's southeastern border have more than doubled in the three weeks since a controversial deal between Pakistan and pro-Taliban militants..." (Guardian, http://www.guardian.co.uk/pakistan/Story/0,,1883738,00.html).
- "Pakistan rapped over detentions: Pakistan is accused of detaining hundreds of alleged terror suspects without legal process by human rights organisation Amnesty International..." (BBC News, http://news.bbc.co.uk/2/hi/south_asia/5390824.stm).
- surrounding the recent terrorism threat to UK: "A major shake-up in the security services and the police was signalled yesterday as John Reid announced a fundamental review of Britain's capacity to tackle the terrorist threat." (Guardian, http://www.guardian.co.uk/terrorism/story/0,,1883765,00.html); "The victims of the July bombings in London last year were let down by the authorities, with many left feeling forgotten or unimportant on the day and in the weeks that followed the attacks..." (Guardian, http://politics.guardian.co.uk/terrorism/story/0,,1879316,00.html); "The home secretary clashed with two Islamist radicals when he met the east London Muslim community to urge it to tackle extremism. (Guardian,http://politics.guardian.co.uk/terrorism/story/0,,1877308,00.html).
- "Two teenagers have been shot in front of families with young children in a McDonald's restaurant...the incident which happened in Brixton, south London." (BBC News, http://news.bbc.co.uk/2/hi/uk_news/england/london/5390652.stm).
- "Military coups, like wars, are easy to start but hard to end. They mostly begin rather as Thailand's did this week: at night, with tanks on the streets of the capital, television stations surrounded, programming suddenly replaced with martial music and, in the light of morning, a promise from a grim-faced general that power has been seized only temporarily and that democracy will soon be restored, once the constitution has been suitably adjusted. " (The Economist, http://www.economist.com/opinion/displaystory.cfm?story_id=7942244). A stormy start for Thailand following the recent circumstances within the country: "The storms that lashed Thailand this week were a fitting Shakespearean metaphor for the kingdom's troubles. A week after a coup by six top military men overthrew the government of Thaksin Shinawatra, the streets remained calm." (The economist, http://www.economist.com/world/asia/displaystory.cfm?story_id=7971085).
- Abouth the Bird flu in Indonesia: "A 21-year-old Indonesian woman, the sister of a boy who died of bird flu earlier this month, is suffering from the same disease, the health ministry said on Friday." (Reuters AlertNet, http://www.alertnet.org/thenews/newsdesk/JAK21450.htm).
I need not to mention every news. Those above are adequate for us to perceiving the look of our world today. It should beckon us, at least, to think on these things. An individual is incapable of solving the heart-rending problems. But i reckon, every attempt would be appreciated as a Superman deed. Thus, at this point, what we need is not a Superman, but more than one of him. So, why we need more than one Superman? Bear in mind that, in the story of Superman, the superhero wasn't capable to cope more than one frictions that happens at the same time although he only had to face one Lex Luthor. But in our world? We've got too many Lex Luthors. Too many devilish characters of Lex Luthor, they are. That's why, the more "Supermen" we've got the better it is.

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.
---Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
-Elizabeth Bishop-



| (http://www.formula1.com/news/4932.html) After 90 wins, 1354 points and seven world championship titles, Michael Schumacher has announced he will retire at the end of this season. Statistically the greatest driver the sport has ever seen, Schumacher has, over the past 16 years, set a new standard to which younger drivers can only aspire. He may have courted controversy at times, but with his departure, the sport will lose one of its leading lights. |
| Born on January 3, 1969, Schumacher’s beginnings were surprisingly unremarkable. The son of a bricklayer who also ran the local kart circuit, the young Michael took to his father’s track like a fish to water. He won his first championship at the age of six - an early demonstration the natural talent and raw speed which have since defined his career. Successive teenage triumphs in Formula Ford and Formula 3 followed and established his reputation as a driver to watch. By his early twenties, the Formula One fraternity had finally taken notice and in 1991 the Jordan team took a gamble, asking him to stand in for a jailed Bertrand Gachot at Spa. Schumacher seized the opportunity with characteristic confidence. He qualified seventh on the grid, impressing rival team Benetton so much they offered him a permanent race seat for the rest of the season. The talent which had carried him this far now blossomed with Benetton’s backing. At the 1991 Italian Grand Prix, Schumacher finished fifth, claiming the first of four points he earned that year. The next season, he enjoyed a maiden win in Belgium, racked up 53 points and beat his more experienced team mate Martin Brundle to take third in the championship. A year later he was fourth in the championship and reigning supreme within the team. The rest has become the stuff of history. Motivating Benetton to greatness, Schumacher became the lynch pin of a group of immensely capable people. His dedicated work ethic and passion for winning paid off with back-to-back drivers’ titles in 1994 and 1995. Just three years into his Formula One career and Schumacher was well on his way to becoming a legend. In 1996, the world champion made a brave move. After four seasons with Benetton, he signed to Ferrari - a team which hadn’t won a championship in almost 20 years. Arriving in Maranello, Schumacher set about rejuvenating the Italian squad, attracting two of the founder members of his title-winning outfit at Benetton to join him later that year. Ross Brawn became technical director and Rory Byrne chief designer. Schumacher’s first season at Ferrari was a trying one. Nevertheless, relying for the most part on his natural talent, he took three victories out of an under-performing car. By ‘98, things were looking more promising and he finished second overall in the title race to Mika Hakkinen. Then in 1999, Schumacher was forced to show his mettle once more after a heavy crash in Silverstone broke his leg and put paid to his title chances for another year. It was during these early days at Ferrari, when his stakes were down, that Schumacher’s determination and obsessive dedication shone through. As a result, in 2000, everything finally slotted into place and Schumacher, after winning nine races, became the Italian team’s first world champion in 21 years. The German legend would continue winning for the next four seasons, racking up 39 victories and four further championships. He dominated the sport in a way never seen before and firmly ensconced himself in the record books. Only in 2005, with the rise of Fernando Alonso and Renault, did that dominance begin to wane. Then, as in ’96, Schumacher’s strength of mind came to the fore, as he pushed an uncompetitive car to go faster. The result was third in the championship - five places above a team mate in identical machinery. And in 2006 Ferrari are back and fighting, revived in small part by Schumacher’s resolute ambition and refusal to lie down. Even now, at the age of 37 and heading into retirement, he is still fighting for every win. Of course, such success rarely comes without controversy, and Schumacher has courted his fair share over the years. His first title in 1994 was tainted (and clinched) with a timely collision with the Williams of rival Damon Hill. Then in 1997, he was stripped of second place in the championship after crashing into Jacques Villeneuve - another title challenger - in Jerez. And more recently the German’s ethics have been called into question following his qualifying accident in Monaco this year. Schumacher’s insistence on number-one status at Ferrari also drew criticism from some quarters. Eddie Irvine, Rubens Barrichello, and Felipe Massa were all compliant number twos and doubtless played a role in his success. But that cannot diminish the great on-track rivalries Schumacher enjoyed - and won - with the greats from other teams. The likes of Hill, Villeneuve, Hakkinen were all champions themselves, but in the long term none could match his all-round ability. Be it speed, natural talent, ruthlessness or hard work, Schumacher had it all. He rarely made mistakes, his prowess in the rain has been well documented, and he has become so attuned to the development of the cars he drives that he can continually adapt their set-up mid race to his advantage. The other world champion to leave the sport this year, Jacques Villeneuve, questioned whether Schumacher’s legacy will be as long-lasting as that of Fangio, Senna or Prost. But with 90 wins, 68 pole positions, 75 fastest laps, 1354 points and those seven world titles, most would say Michael Schumacher will never be forgotten - or beaten! |




In a manner of speaking and in a manner of writing. There are differences in their being. Some easily write better than they do speaking. As some echo that semantics is much more mesmerising.
As for speaking, it is easy to both lying and denying. While rhyming is intriguing in writing. Yes, write, if you want to, there's nothing like trying. Who knows what a treasure your works may hold? I'll show you that rhyming is as easy as lying, by listening to (reading) the art I unfold. To reveal the hidden feeling that is untold.
There's a book full of words & phrases. One can choose as he fancies: as a politician his speech, as a painter his tint, as a journalist his articles, and a scientist his lab. All the poems and stories and plays and feelings and romances and memories were drawn out of this. Just: Think! – So did Simon Blackburn name a book that wasn’t full of rubbish. So the brain would not easy to cease.
Like the fish from a sea, you can wander at will through its syllabled mazes; and take all you want, visualize all you conceive, not a copper they cost. What is there to hinder your picking out phrases and truisms; For an epic as clever as 'Braveheart'? Don't mind if the manifestation of sense is at zero. Use words that run smoothly, employ idioms that fit flawlessly. Whatever they mean, they are much the same things in the rhyming machine. The illuminations of what’s reflected.
There are words so delicious their sweetness will smother. There is 'lush' is a good one, and 'swirl' is another. Put both in one verse, its meaning is either definable or dubious, its fortune is made.
With infectious glances, musical murmurs, and rhythmical closes, you can cheat me of smiles when you've nothing to tell. As for the unreadable expressions, perhaps you will answer all needful conditions. For winning the glory to which you aspire, for smarting the mind left with questions, by cutting the tails of the two prepositions, the articulated writer you are so greatly endowed.
As for subjects of verse, they are only too plenty. For ringing the changes on musical chimes, you can reel off a song without knitting your brow; for critically observing the veracity on brilliantly decorated wrapping, as lightly as Picasso a drawing or etching. It is nothing at all, if you only know how. And you do, genuinely.
Well, imagine you've printed your volume of verses: Your forehead is wreathed with the praising honors; your walk is induced with the garland of fame; the look remains unreadable but is read everywhere. Of course you're delighted to serve the committees that come with requests from the country all round. You would grace the occasion with poems, speeches, smiles, and songs. When they've got a new schoolhouse, or poorhouse, or pound. With a chant for the saints and a song for the sinners, you go and are welcome wherever you please; you're a privileged guest at all manner of dinners, you hold the license to revealing the sarcasms at no cost, you've a seat on the platform among the grandees, you taste the liberty to play any instruments in any genre. Perceiving a case from only one point would be tolerated, how subjective it is. At length your mere presence becomes a sensation; your goblet of enjoyment is filled to its brim.
No will of your own with its puny compulsion can summon the spirit that quickens the lyre. It comes, if at all, like the Sibyl's convulsion; and touches the brain with a finger of blaze; stroking a heart with a striking melody and lyrics. Hitting or blowing your instruments, you shall do.
So perhaps, after all, it's as well to be quiet if you've nothing you think is worth saying in prose: as to the critics, by publishing, as you propose; as to the tunes, by playing, as you perform.
But it's all of no use, and I'm sorry I've written. I shall see your thin volumes some day on my shelf just to evoke the remembrance of them. Or, perhaps, to know-how the jittering mind by seeing the new ones, if it’s possible. The collective compositions of a free-adventurous genre, they are. The ones that have stimulated a port of call, if yours would consider so. It takes time to understand, while conversely, it only took a jiffy to deeply penetrating a frigid part of mind. For the rhyming words in memories surely has bitten, for the brilliant glance, the dense jungle, and the infectious demeanor, they surely have spelled the effects. Making the desires want not to stop for less. In the future, too, they may only want the best. But the desires have been awakened from their very long sleep, the consciously unconsciousness. They solely appreciate the awakener for that.
Worrying is not needed. The little inner world will be endowed itself toughly, as it has always been, yet it is no longer rigid. It will even be more robust and more vigorous than one can reckon. As to one, another's air is hard to hypothesize and to beckon. As the skin might look softer before you touch; and a little fish in a big sea can always survive swimming against the stream to find its porch.
Some stories would be better untold. Some questions remain unanswered. Some fondness is preferably left to unfold. Some affection is best unstated. As for some, speaking is grueling hatred. And thus, I leave the battle, to yield before to be conquered. Akin to the story, as it started like a ghost, I shall put down the weapon and the bonnet to depart without a sound. Watching the soldier enthusiastically walking away to continue advancing his adventure of articulation and beyond.
You are the paradisiacal picture of a sailor. And music must cure you - as it does to me - so pipe it yourself, hit and blow it with your color. And words must satisfy you so write them thoroughly. I shall only bethink and, at times, reminisce as I’ve finally come to my serenity. It welcomes me and opens the door letting me in. Thus, I have made my peace with a smile within. The peace attained without winning the battle. But it has reminded me to revive. Because, once again, I survive...
*the picture above is a beautiful canal i saw when visiting the city of Brugge, Belgium.